By Jessica Ye (Jessica Yap)
Haider Ackermann‘s vision for Tom Ford continues to unfold with the House’s Spring/Summer 2026 eyewear collection.
Drawing inspiration from the 1990s, the collection is defined by narrow proportions, wraparound silhouettes and sleek lines that channel a bold, confident attitude. Lightweight metal frames create clean, precise structures, while acetate styles gain depth through transparent finishes and vibrant colour palettes.
The collection also offers a glimpse into the aesthetic language Ackermann is shaping at Tom Ford. There is a sense of restraint running throughout the designs, with streamlined forms and carefully considered details taking precedence over overt embellishment. The result feels confident rather than flashy, allowing the silhouettes themselves to make the statement.
That approach is particularly evident in the collection’s wraparound shield designs and curved geometries. The frames sit close to the face, creating a balance between revelation and concealment that feels aligned with Tom Ford’s longstanding relationship with glamour and sensuality.
Colour adds another layer to the story. Lenses are finished with 1990s-inspired reflections and gradients in shades of blue, pink and green, while mirrored flashes bring a subtle luminosity that enhances the futuristic mood of the collection.
Among the standout styles is the Brady-02 (featured image), first seen in Ackermann’s Spring/Summer 2026 runway collection. The wraparound metal frame is paired with a sculpted mask-like lens that feels both streamlined and directional.
The Parker-02 takes a more avant-garde approach. Defined by twin curved lenses connected by a suspended bridge, the design combines architectural precision with the unmistakable T logo at the temples.
Meanwhile, the Addison-02 translates the collection’s sleek aesthetic into acetate. Inspired by cinematic special effects, its slender wraparound silhouette and fluid lines create a dynamic profile that stands apart while remaining consistent with the collection’s overall point of view.
While each style interprets the theme differently, all three reflect the same design philosophy. The references to the 1990s are unmistakable, yet they never feel nostalgic for nostalgia’s sake. Instead, Ackermann distils the decade’s confidence into something sharper and more contemporary, creating a collection that feels both current and unmistakably Tom Ford.
